FineArtViews Archives


Home   Archives   Return to Main FineArtViews Page                  

Follow this Blog



Topical Index

Current
Art
Art Commentary
Art Marketing
Fine Living
Inspiration
Marketing


 Archives:May 2007
Apr 2007

Issue #1: Welcome to FineArtViews!
by Clint Watson on 4/17/2007 7:29:09 AM



4/17/2007 6:23:44 AMSubject: Today's Fine Art Views: Welcome to FineArtViews!


Fine Art Views by Clint Watson
Weekly Edition
FineArtViews Newsletter
Straight Talk about Art, Marketing,
Inspiration and Fine Living

For Artists, Collectors and Galleries
(and anyone else who loves art)
 
 
 
 
Welcome to FineArtViews
 
TODAY:  We launch our free e-newsletter, FineArtViews.  Information about art marketing, inpiration and fine living for artists, collectors, galleries and art lovers.
 

IF YOU WISH TO UNSUBSCRIBE, CLICK THE LINK AT THE BOTTOM OF THIS NEWSLETTER


Tuesday, April 17, 2007   
 
IN THIS ISSUE

* WELCOME TO FINEARTVIEWS
   Who we are and why you're on our list.

* FOR ARTISTS:
   MAKE A LIST OF EVERYONE YOUR KNOW
   A practical marketing program for artists

* FOR COLLECTORS: 
   DO YOU HAVE STENDHAL SYNDROME?  I DO!
   Why as an art lover I'm "sick" -
   but don't want to get well!
 
* COLLECTOR'S DISCOVERY ZONE
   See the latest works by our artist members!


WELCOME TO FINEARTVIEWS


Dear ,

Welcome to the first issue of FineArtViews!  We're excited to launch FineArtViews: a free e-newsletter about art - specifically about art marketing, inspiration and fine living.  It is for artists, collectors, galleries and anyone else who simply loves fine art.

You are receiving this newsletter because you have told us that you are interested in art.  You signed up for our information on using the email address .  (If this date is in the past couple of days it may be because we transferred your address from one of the other lists we own that you signed up for in the past.  If you don't wish to receive communication from us, you may unsubscribe easily by visiting the link at the bottom of this newsletter)

You may not recognize the name FineArtViews as we are consolidating several services into one, so you may have signed up at WebArtsites.com, FineArtStudioOnline.com, or have requested information personally from me, Clint Watson.

This email newsletter has three editions: daily, weekly and monthly.  You are currently signed up for the following edition(s):  . 

You may select your preferred edition(s), edit your preferences, or unsubscribe by clicking the following link.  You may also let us know if you are an artist, a collector, a gallery or all three so that we may tailor our information to your needs:

Edit Your FineArtviews Preferences:
http://data.fineartstudioonline.com/aspwpadmin/profile.asp?email=

We sincerely hope that you enjoy this service and will strive daily (or at least most days) to bring you useful and interesting information about the world of fine art.

Sincerely,


Clint Watson
Software Craftsman and Art Fanatic
 
PS: Want More Fine Art Views right Now? Visit my blog at:
 


FOR ARTISTS:
   
Make a List of Everyone You Know
by Clint Watson

I firmly believe that for most artists, the majority of their market will come from people they know and/or from those with whom they have a personal connection.  So the first step for an artist beginning to market themselves (or an artist who wants to improve his marketing) is to make a list of everyone he or she knows.
 
Seth Godin, marketing guru, writes about an interesting way to look at Internet marketing where a person become a "lens" to "focus" traffic upon a specific area of interest.  For example, my blog is a "lens" focusing people upon aspects of marketing art.

For artists (and other marketers), I propose that the "lens" concept works in another way.  Think of your network as "light."  Your network is EVERYONE YOU KNOW.  The goal of your marketing is to encourage, coax, entice your network to view/purchase your art work.  YOU ARE THE LENS.  The lens provides focus.  The lens directs the "light" and focuses it upon the goal.

In the upcoming days, I will "shine some light" upon several specific ideas regarding how to focus the lens.  But like most worthwhile projects, action is required upon your part.  So here is today's action plan:  Make a list of EVERYONE you know.  What you need to record is each person's name and email address.  If you have a phone number and physical address, record that too.  If there are specific "items of interest" you need to remember regarding specific people, jot them down (ie birthday, kid's names, hobbies).

So just who do you know?  Probably a lot more people than you realize.  Here is a list to get your brainstorming started - family, friends, coworkers, neighbors, people from your church, people you know in the PTA, past clients, other artists you know and anyone else who has ever expressed interest in your artwork.

Focus the lens - Make a List of Everyone You Know.

Sincerely,

Clint Watson
Software Craftsman and Art Fanatic
 
PS:  To view our complete recommended method for conducting an email marketing campaign, please visit:
 
 

ARTIST TRACK BACK:
 
If you would like to see reader responses to the last letter please visit:
 
Well since this is our first newsletter, there are no reader responses - hit reply and send us some!
 
 
FOR ART COLLECTORS:
Do You Have Stendhal Sydrome?  I Do!
By Clint Watson


In the July/August 2006 Issue of
Art of the West Magazine, Tom Tierney and Allan Duerr wonder in their column "Straight Talk" why some people respond to art so strongly while others seem impervious to art's spiritual effects upon one's soul.  As I pondered their questions, I remembered reading about an obscure psychosomatic "illness" regarding cases of people who exhibit extreme sensitivity to beautiful art.  The phenomenon is called "Stendhal syndrome."

Stendhal syndrome is a psychosomatic "illness" that causes rapid heartbeat, dizziness, confusion and even hallucinations when an individual is exposed to art. 

Marie-Henri Beyle, the French author known as Stendhal (his pen name), visited Florence in 1817. His book, Naples and Florence: A Journey from Milan to Reggio, describes his experience of the "illness."  He actually became dizzy and confused by the majestic beauty of Florentine art. According to an Italian psychiatrist, Graziella Magherini, it happens all the time.  Magherini observed and described more than 100 similar cases among tourists and visitors in Florence. Tourists visit the Uffizi, and fall to the ground while viewing paintings by Brunelleschi or Botticelli.  

I've seen similar effects upon visitors to art exhibitions that I've attended.  People stand in front of paintings gaping, weeping, or laughing.  Stendhal syndrome illustrates the amazing power that artists wield when they concern themselves with creating beauty, rather than making ridiculous "statements."

Speaking of splashes and gimmicks, I have to wonder if anyone has ever fainted in front of an Andy Warhol or a Jackson Pollock?  How many tourists have collapsed in tears in the MOMA?  How many have been elated to spiritual highs by the geometric shapes of a Mondrian?  Although to be fair, I have to admit that the apparent appeal and popularity of Warhol, Pollock, Mondrian, Picasso and other modernists does leave me in a state of confusion, but that's not quite the same thing as keeling over from the sheer beauty of their works....

As Allan and Tom point out in their column, those of us who are art lovers "...respond to art because it feeds our souls and, simply put, makes our world a better place."  If being a person who responds strongly to art makes me ill, then I don't want to be well brother!

That’s my point, reply to email me yours at clint@fineartviews.com.

Sincerely,

Clint Watson
Software Craftsman and Art Fanatic

PS:  "A work of art which did not begin in emotion is not art." (Paul Cezanne)



COLLECTOR TRACK BACK:
 
If you would like to see reader responses to the last letter, please visit:
 
Well since this is our first newsletter, there are no reader responses - hit reply and send us some!
 

COLLECTOR'S DISCOVERY ZONE:
 
See the latest artwork by our artist members:
 

GOOD TO KNOW:
  
For Art Webmasters: 
Why So Many Site Visitors Are From Reston, VA
 
Reston, VA is the home base for all America Online (AOL) users. So every AOL user in the world shows up as Reston,VA. Since AOL has a lot of users - you will see a lot of activity from that city, but they actual person could actually be anywhere in the world and, unfortunately, there is no way to find out the actual location. 
 

CLIENT FEEDBACK:
 
Regarding Email Marketing and Relationships with Galleries, VC Writes: 
I'm replying because I sell only through galleries and shows and not from my website. Since websites began, people always think they can get a better deal if they buy from the artist. There are many artists out there who sell for really low prices which hurts us all. I do not want to spend my time on the computer or phone etc.  I want to PAINT! I'm happy to pay 30-50% of the selling price to a gallery or art show organizer, ie, art center, museum, non-profit org. Do you think this technique would work if I sent the email  with a referral to my galleries on my website and let them know if they see anything on my website they especially are interested in to let the gallery know?
If someone comes to my studio to purchase a painting, I have them make the check payable to the local gallery which represents me. I give a 10% discount which the galleries understand and agree with. The galleries also do the same if I send them a client. 
Thank you for your ongoing support,
VC
 
[Editor's Note:  We DO think the email marketing campaign would work as an assistance to the efforts of VC's gallery.  As the artist, YOU control how you wish to sell the works (ie directly or through an agent or gallery), but the other aspects of marketing all remain the same. 
 
VC is a good example of how artists and galleries can work together in a spirit of cooperation and trust.  AND they appear to have their agreement well worked out in advance.]
 
  

Republish FineArtViews Insightful Content on
your own website, blog or enewsletter free of charge!
 
You may republish your favorite articles from FineArtViews without charge. Use of this material without adhereing to ALL of the following instructions is a violation of copyright laws:

Republishing our articles is simple. You must include attribution of the author(s) and the following short paragraph, in the same font size and visibility as the article:

This article appears courtesy of FineArtViews.com by Clint Watson, a free email newsletter about art, marketing, inspiration and fine living for artists, collectors and galleries (and anyone else who loves art) .
 
For a complimentary subscription, visit: http://www.fineartviews.com.

 Suggest FineArtViews to a Friend:
 
If you would like to suggest FineArtViews to a friend, please point them to:
 
Tell them to click the "Join" link.  
 

Have a Question for Clint? 
 
FineArtViews welcomes your questions, thoughts and comments.  Send them to:
 
 
 

The Fine Print:
 
This copyrighted material is published here by permission of its sole author, Clinton B. Watson, except as noted otherwise.
 
As law-abiding citizens who wish to comply with our anti-spam laws  (unlike actual spammers), we our postal address below.
 
FineArtViews.com
PO Box 700534
San Antonio, TX 78270
 
Thanks for your friendship.
 
If you liked today's newsletter, please forward it to a friend, if you didn't like it, feel free to forward it to your enemies ;-)

© Copyright 2007 Clinton B. Watson - ALL RIGHTS RESERVED. 
 

TO UNSUBSCRIBE, CHANGE YOUR EMAIL ADDRESS, or Change any other preferences regarding your subscription to Fine Art Views, visit the following link:
 
Unsubscribe or Change Your FineArtviews Preferences:
http://data.fineartstudioonline.com/aspwpadmin/profile.asp?email=

 

 

View Text Version




What Would You Like to Do Next?

Join Email List

Follow this Blog via RSS

Make a comment

Share this post via other Social Media (ie Digg, Delicious):





Post Details:

Permalink | 6 Comments
Topics: Art
Technorati Tags: Art



Brett Busang
via web
As to your claim that nobody has likely prostrated themselves before an abstract expressionist canvas, you just haven't talked to the people I have.  I was visiting my dealer one day - a woman capable of rare good sense - and she was with a client who'd just been to see a Rothko exhibit.  This client lost no time saying that she couldn't restrain her emotions and "cried" while viewing Rothko's enormous cookie-cutter fields of color.  
"That bad, huh?" was the question I put to her.  

My dealer wasn't pleased.

The power of delusion is as great as any known to man.
 It is as possible for an entire nation to fall victim to it as a single person.  Nor is it easy to displace.
 You can't just "present the truth" (whatever that is) and hope the deluded will follow.  Rather, he/she/they'll put up such a fight that you'll wonder who in hell you awakened inside of the person of your best friend.  It goes back to the story of the fraud who decided to talk an entire village into believing in a deity he just made up as he went along.  When he decided to expose the fraud, they didn't stop believing in his fiction; they killed HIM!

The worship of silly art is no stranger than the great esteem in which certain authority figures are held - for no good reason at all.  (I don't consider wearing a good suit or having a "title" good reasons.)  What really needs to be done is to elevate critical thinking over credulous prostration and specious loyalty.  When in the grips of a massive delusion, you can't just tell yourself to snap out of it.

Snap out of WHAT?

Please share this with your readers.

Sincerely,

Brett      



Nancy Belle
via web
Dear Clint,

Thank you for the art newsletter!
In it, you said...
"Speaking of splashes and gimmicks, I have to wonder
if anyone has ever fainted in front of an Andy Warhol or a Jackson Pollock"?


Wonder no more.
I am an award winning abstract artist of many years
living in Southern California, and to answer your question...I'm deffinately,
'faint at heart' for Pollock's work. I do not find his splatter work to be any
more of gimmick than using a #10 bristle brush as oppsed to a
sponge.

Jackson Pollock was committed to his work and technique.
He
is only second to my first faint/love artist which is, 'Mark
Rothko'.

Nancy Belle
Emerged artist/painter
On-line
publisher/editor


Kathy
via web


Hi Clint,

 

I am a photographer, and I totally agree with this syndrome. Art has such a
profound influence on ones emotions. I try to instill passionate emotions in all
of my photographs. My grandfather was my biggest inspiration when I was a child
he would take us for walks in the woods and hilltops, always explaining the
sheer beauty of nature and all the creatures we came upon. Be it in the woods,
fields, along river banks, the mountains or along the ocean, I try to capture
those emotional feelings in what ever I shoot. To me this is the most important
part of my photography. I want everyone who views my work and capture those same
feelings I had when I did the shoot. When it stirs their emotions I know I have
been successful.

 

Always look for the beauty in everything you look at. It is there if you
just take the time to look. If anyone would like to check out my website at
yessy.com/kathyradford. I'd love to hear your comments and find out if I have
reached my goal.

 

Let's hear from other people on their feelings about this syndrome. It
really exists.

 

Kathy in NH


Judith
via web
I have lists of friends, relatives and some buyers in Microsoft Access, in Outlook, on SBCYahoo, some with incomplete information, some old, some duplicates.  They are stored in formats that I don’t know how to combine easily.  Basically, I have a pile of names and their contact info.

Some of my contacts I have been sending things to for years.  Many are church friends, who smile nicely but never buy art at all, except once maybe.  I doubt that is going to change.  I have considered making a primary list and secondary list…but the time that would take is maddening.  The whole process of keeping a current list is maddening, when one considers revising.  

After a point one must consider the useful quality of the list.  Sometimes I think I spend too much time hanging out with people who are notoriously pecuniary, pinching pennies, saving coupons for salami to save $.50.  

I think compiling any list of friends may not be the best use of my time.  I might be better off meeting new people and making new friends if I want viable art contacts.  But how many friends can someone have time for anyway?

My point is that the kind of people you send to is important consideration.  If through family connections, or ones child’s sporting contacts you compile a list of Packer football aficionados, the list is basically useless to an artist.



Pippi
via web

I travlled to New york in 1988 with my family(husband and children aged 10 and 12). We live in a very tiny town in NWOnartio Canada. As it was summer were living on an island by ourselves with little dail;y communication. At the time I was suffereing from very bad back problem. We almost didn't go as my back was so bad. The first day, I sent the rest off sightseeing and went to the Moma( I think it was the Moma). I went to the room with Monet's waterlilies. I sat down in pain and just looked for 20 min in a trance. When I got up my...no pain.I  kid you not. At the time I was a high school art teacher . I used to tell the kids about the healing power of art...of cource they knew I was nuts anyway!

Now I live in Naples Florida part of the year. When even I feel down or not well...I go and stand in all the beautiful colours of the Chilluly ceiling we have here...still works.

Pippi



Mike
via web
I derive such great pleasure from looking at and studying art, in all it's forms. A fine afternoon to me is simply to be in a city that has many galleries and to spend time ( not in a hurry) cruising through them, not with the intent to purchase but simply to FEEL. Many times I have felt alone in this pursuit as I see so many that simply pass by and pay no attention whatsoever to art objects. I have also noticed many fine homes belonging to people with wealth and education and no art is in evidence and I think, " Beautiful home ....but if it were mine I would hang some paintings here and place some bronzes there and "...well you know what I mean.  Recently I met in Scottsdale a couple that were addicts like myself and we had the grandest time sharing our ideas and feelings and we had an instant bond of friendship. How I've wished there was a way to find and connect other collectors and be able to share in such a fashion.

  Art moves me in mysterious ways but in a larger sense it helps me feel connected to others and gives additional meaning to my life.  It can uplift the spirt and communicate in ways that words cannot. I thank God for art and music and literature that is all around me. I simply cannot get enough of it but the pursuit of it is pure pleasure. My biggest concern at the moment is that I am out of wall space. My office at work is covered with photographs ( B & W fine
art) and paintings and my home is wall to wall with great stuff....including maybe 60 or more paintings in the bedroom alone.  
Yes..I am 'nuts but I would not have it any other way....( and my daughter is catching the bug also)

   I think it is a journey of discovery and that others are simply on a different place along that pathway.  They too can feel and know but simply have not had the right opportunity to do so. I was much the same when I was younger and it became a gradual awareness as the years passed.  All in all I feel like the luckiest man alive just to be where I am along that path today....and tomorrow?  ....Should be  
even better!    Heading to France again this summer with Stats and  
Posselli to find more great places to paint...what could be better than that?  Take Care My Friend, Mike in Dillingham, AK